Comparing the Train in The South and One Hundred Years of Solitude :: comparison compare contrast essays

  Ã‚   In One Hundred Years of Solitude by Gabriel Garcà ­a Mà ¡rquez and "The South" by Jorge Luis Borges, many similar devices are used by the authors. Their presentations and their uses are sometimes similar and at times dissimilar. There is one device that is used by both authors that is one of the most prominent devices in both works--the train. The presentation and use of the train in both texts is different, but in both it is a method of transportation and an evil entity that is an active symbol of change.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Juan Dahlmann, the protagonist in Borges' "The South", cuts his forehead on the edge of a recently painted door and is poisoned. He is taken to a sanitarium where he makes a gradual recovery. After his release, Dahlmann takes a train to his ranch in the South for further recuperation. In One Hundred Years of Solitude, the train is brought in by Aureliano Triste, a son of Colonel Aureliano Buendà ­a, when his ice business outgrows the local market. With the coming of the train, Macondo becomes verily linked to the outside world.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   The train in "The South" is presented as a sleek, mystical, and evil entity. Before Dahlmann leaves for his ranch, he visits a cafà © where there is a black cat, sleeping. It is almost as if it is lying in waiting for something. The cat is described as "the magical animal"(1). Immediately following is a description of the train, which is described as being lying waiting. A connection between the mystical animal and the mechanical train has been established. The train has become a mystical beast. It begins to move when Dahlmann gets on, it stops to let him off, it takes him where it feels. The beast decides Dahlmann's fate. Cats are often seen as beasts of evil omen. The linking of cat and train brings an evil aspect to the train.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   In One Hundred Years of Solitude, the train is presented as concrete and real, but terrifying and with a malevolent, living connection: the snake. There is no mystical imagery and sleekness surrounding it. Instead, it's plain and simple, just "the flower-bedecked train."(2) The first Macondian to see it describes it as "something frightful, like a kitchen dragging a village behind it."(3) The train has "a whistle with a fearful echo and a loud, panting toom-toom"(4) The train is very much like a snake, a symbol of evil.

Hippocrates’ Role in the Shift From Irrational to Rational Medicine in

Although populations in ancient societies suffered attacks, invasions, starvation, and persecution, there was a more efficient killer that exterminated countless people. The most dreaded killers in the ancient world were disease, infections and epidemics. In many major wars the main peril was not gunfire, nor assault, but the easily communicable diseases that rapidly wiped out whole divisions of closely quartered soldiers. Until the time of Hippocrates, in the struggle between life and death, it was, more often than not, death that prevailed when a malady was involved. In the modern world, although illness is still a concern, advances in thought and technique have led to the highest birth rates in recorded history. No longer is a fever a cause for distress; a quick trip to the store and a few days of rest is the current cure. An infection considered easily treatable today could have meant disablement, even death to an ancient Greek citizen. In modern medicine when an ailment arises it can be quickly diagnosed, attributed to a precise bacteria, virus, or body system, and treated with medication, surgery or therapy. During the time before rational medical thought, this streamlined system of treatment was unheard of, and all complaints were attributed to the will of the multitude of commonly worshiped Greek gods (Greek Medicine 1). It was during the period of Greek rationalism that a perceptible change in thought was manifested in the attitudes towards treating disease. Ancient Greece is often associated with its many brilliant philosophers, and these great thinkers were some of the first innovators to make major developments in astrology, physics, math and even medicine. Among these academics was Hippocrates, one of the first e... ...ill Cornell Medical College. 2005. Web. 10 Apr. 2015. . Sources consulted: "Greek Medicine - Asclepius." U.S National Library of Medicine. U.S. National Library of Medicine, 02 July 2012. Web. 14 Apr. 2015. . Hippocrates. On Regimen in Acute Diseases. Trans. Adams, Francis. Ca 400 BC. MS. The Internet Classics Archive: 441 Searchable Works of Classical Literature. Massachusetts Institute of Technology. Web. 11 Apr. 2015. . Hippocrates. On Airs, Waters, and Places. Trans. Adams, Francis. Ca 400 BC. MS. The Internet Classics Archive: 441 Searchable Works of Classical Literature. Massachusetts Institute of Technology. Web. 11 Apr. 2015. .

Women in the Progressive Era Essay -- American History

In the 1890s, American women emerged as a major force for social reform. Millions joined civic organizations and extended their roles from domestic duties to concerns about their communities and environments. These years, between 1890 and 1920, were a time of many social changes that later became known as the Progressive Era. In this time era, millions of Americans organized associations to come up with solutions to the many problems that society was facing, and many of these problems were staring American women right in the face. Women began to speak out against the laws that were deliberately set against them. Throughout this time period, women were denied the right to vote in all federal and most state held elections. Women struggled to achieve equality; equality as citizens, equality in the work place, and equality at home. During this time, Americans worked to fight corruption in government, reduce the power of big business, and improve society as a whole. Just as the Irish wanted good work and the farmers wanted a good banking system, women wanted equality. Women and women's organizations worked for various rights for different groups of people. They not only worked to gain the right to vote, they also worked for political equality and for social reforms. But how did this all start to happen? It didn’t happen overnight, and it wasn’t a one-person battle. Women wanted the same rights as men already had. But they didn’t just stop there, women played a major role in the rise of the child labor laws, stood up for minorities, and they wanted prostitution to end. Most people who opposed woman suffrage believed that women were less intelligent and less able to make political decisions than men were. Opponents argued th... ... â€Å"75 Suffragists.† Women’s Studies.(29 October 2003). Berkeley, Kathleen C. The Women’s Liberation Movement in America. Westport, Connecticut: Greenwood Press, 1999. Frankel, Voralee and Nancy Schrom Dye. Gender. Class, Race, and Reform in the Progressive Era. Lexington, Kentucky: University Press of Kentucky, 1991. Freeman, Julie. The Progressive Era. 11 February 2002. (04 November 2003). Kerber, Linda K., Alice Kessler-Hessler and Kathryn Kish Sklar. US History as Women’s History. Chapel Hill: University of North Carolina Press, 1995. â€Å"Living the Legacy: The Women's Rights Movement 1848 - 1998." The National Women's History Project. 1997. (30 October 2003). Muncy, Dr. Robyn. Women in the Progressive Era. 30 March 2003. (04 November 2003). Schneider, Dorothy. American Women in the Progressive Era 1900-1920. New York: Facts on File, 1993.

Classical Argument

Tiffany E. Duncan Shannon Collins Eng 101 September 23, 2012 Classical Argument Remodeling a house on one’s own isn’t as cheap or as easy as it may seem, because more problems are often revealed during the demolition stage of remodeling. One can’t always prepare in advance for unforeseen problems when remodeling and it isn’t always cheaper doing them on one’s own rather than hiring a professional. I was able to prove this to myself when I was remodeling my own house.The original plan was to have all the remodeling completed within a year; my time spent on the project is now over double what I expected and I’m only about three fourths of the way complete. I had 6 projects that I wanted to do, keep in mind I live in an old farm house that was abandoned for 4 years before I began. I planned on: refinishing all of the cabinets throughout the house, installing all new windows, a complete bathroom remodel, new floors in the entire house, new ceilin gs in three rooms, and painting the entire house.I couldn’t remodel my house full time when it wasn’t livable being I’m a single mother of two. That made it even harder; but I also had less time to work than I planned because I also started attending college about one month into the renovation. When I started I expected to spend right around $5,000. 00. This was roughly the cost of all materials with about $1,000. 00 extra for anything that came up unexpected. For the most part I have done all the renovations myself with some help from family and friends; I’ve had to call in a professional once. My running total is around $10,000. 0, which is double of what I planned on spending and it’s still going up! The first project I began was refinishing the cabinets. This was quite a task; I took all the cabinet facings and doors off, sanded them as well as the cabinets and painted them. All the cabinets in my kitchen, 16 of them, took me approximately 5 mo nths to complete. Luckily my Dad was his own handy man so his tools and skills of the trade came in handy often! An unforeseen task came when I started redoing the ceiling’s in the bathroom, my bedroom, and the hall way. I learned the house wasn’t exactly built square.Just to be able to do my ceiling the correct way I had to add two inches to the ceiling rafters on about half the room. Not expecting this, I over spent $80 on this project. This was a small increase but every little thing you don’t expect adds up quickly. The entire ceiling project ended up costing me an extra $600 over my estimate. With the house not being square, drywall was wasted and it was harder to apply the mud tape (which led me to buy a more expensive tape). What should have taken approximately two weeks to complete took a total of two and a half months.For the bathroom remodel I allotted myself $600. 00 to spend; which is on the lower side for a complete bathroom overhaul. But I really d id my research on this one; a new toilet was $300 and a new bathtub $200. I was able to get cabinets from my mom when she was redoing her kitchen and I used those in the bathroom; which surprisingly saved me about $600. 00 if I bought them new. I just had to refinish them and paint them, and that little project still isn’t complete. When I tried to take the bathtub out, I removed seal and unhooked all the plumbing but it wouldn’t budge.I called a few of my family members to help remove it since it was a porcelain tub which is quite heavy. It still wouldn’t come out, the fit was too tight. We used a little intuition and decided to just cut the bathtub out. Once it was cut in half it did give us enough room to get it out. However, putting the new tub in became and even harder task. We tried every way possible to put it in, but there wasn’t enough room. It was even the same size as the old tub. When we measured the dimensions; it was out of square by almost three inches.So we had to tear down the wall at the end of where the bathtub would go, install the tub, and rebuild the wall. Supplies were costly for this bringing my expenses up $150 more than I planned and it added almost a weeks’ worth of work. The toilet was supposed to be an easy job; uninstall the old one, add a new seal and install the new one. Once the old one was taken off, we discovered it had been leaking on the floor; ruining approximately a 4’x5’ section. We had to rip the old floor out, install new floor rafters and new floor.This added $200 more to my quickly rising total, for my new toilet and about two extra weeks of work since I couldn’t begin doing the flooring myself. Now I was 10 months into the project and more than ready to move; since I was living with my mother while I was completing the renovation. I decided to redo the floors and paint next; I could redo windows after I moved in. I pulled the old flooring up first; this took 3 weeks and should have only taken a couple of days. Apparently the previous owners had pets and they used the restroom on the carpets numerous times.So instead of being able to just pull the carpet up, I had to scrape it up. This didn’t add on to my expenses since I was doing it myself, it just took a lot of patience because it took so long to do. Once it was all up, I had the floors inspected. To my surprise a support beam had given out under the front of the house. I had to call in reinforcements; my dad and brother were both great handymen for the project. They had to use three jacks and actually jack the house up while they cut out the floor over the broken beam, took the beam out and put a new beam in.This added about $700 onto my estimates but only an extra day worth of work. With the carpet up and the beam fixed, I was ready to paint. It took me 3 months to get everything painted. I ended up having to buy Kilz to cover up stains, trimming to replace what was already mis sing or broken, and a lot of paint supplies. It took me three months to paint the whole house, and I ended up about $500 over budget on supplies then I anticipated. I was going to do my floors myself, but it wouldn’t have saved me any money once I purchased the trimming and the tools needed to install the carpet.Plus I was so exhausted from working on everything else I opted to hire in professionals to install my carpet. I did have to get on a list for installation, adding a week of just waiting to my time. It was worth it once the floors were in, it looked great and I was finally getting my energy back. Remodeling a house on one’s own isn’t as cheap or as easy as it may seem. It took me 14 months until I was able to move in my house. I had planned on being finished within 12 months and my work was only half done. Not to mention I was already over $2500 being past my estimates on the house.It took a lot to be able to do the renovations myself, running into probl ems every time I turned around. I had to hire in professionals once but I probably should have a few more times. I tried to stay as close to my budget as possible. Many of the factors that rose my spending were because more problems were revealed during the demolition stage of remodeling. One can’t always prepare in advance for unforeseen problems when remodeling and it isn’t always cheaper doing them on one’s own rather than hiring a professional.

Impact of Greek Mythology on Western Culture Essay

Greek mythology ‘s impact on modern societies cannot be understated. Modern language, industry, arts and culture all demonstrate the impact of Greek mythology in today ‘s world. For example, most people who have no formal knowledge of Greek mythology still know that Hercules was a strongman and that Venus (the Roman version of the Greek Aphrodite) is the goddess of love. The Impact of Greek Mythology on Language Very few people speak ancient Greek on a regular basis, but Greek mythology has shaped English and other languages on many levels. A â€Å"Herculean task, † for example, is one that requires great effort. This phrase comes from a myth about the Twelve Labors of Hercules. The drug morphine takes its name from the Greek God of Sleep, Morpheus. â€Å"Venereal disease † is a rather unflattering reference to Venus. The goddess of love fares better in the term â€Å"aphrodisiac â€Å", referring to any substance or circumstance that arouses sexual desire . To this day, an unpleasant woman may be called a â€Å"harpy † (a winged monster with a woman ‘s torso and a bird ‘s feet). Alternately, a handsome man is an â€Å"Adonis, † the mortal man so beautiful that Aphrodite herself fell in love with him. We call computer viruses â€Å"Trojans, † a rather unfair comparison with the Trojans, as we ‘re actually referring to the Greek-built Trojan horse, used by the Greeks to infiltrate Troy and end the Trojan War. The impact of Greek mythology on western culture and language isn ‘t confined to individual words. Many expressions, proverbs and clichs are direct references to ancient Greek myths. For example, the expressions â€Å"caught between a rock and a hard place † and â€Å"between the Devil and the deep blue sea † both come from tales about sailors being caught between the monsters Scylla and Charybdis of Greek mythology. Other common expressions that demonstrate Greek mytholog y ‘s impact on modern societies include: †¢ an Achilles heel (a single fatal vulnerability) †¢ having the Midas touch (everything turns to gold) †¢ lying in the arms of Morpheus (sleeping) †¢ opening Pandora ‘s Box (unlocking a world of trouble) †¢ rich as Croesus (Croesus was known for his wealth) †¢ the face that launched a thousand ships (a woman worth going to war for). Cultural Impact of Greek Mythology in the West Greek mythology ‘s impact on modern societies is often seen in the arts and popular culture. In the 1980s, the all-female rock band The Bangles had a top ten hit with the single Venus. Television shows and movies, such as Disney ‘s Hercules, have also reintroduced mythological figures to new generations, including characters such as Hades, the Lord of the Underworld. In fact, movies have been retelling versions of Hercule ‘s story since the 1950s. Some of the most famous works of art and literature demonstrate the impact of Greek mythology on western culture. Botticelli ‘s The Birth of Venus is one of the world ‘s most recognizable paintings. Operas often delve into Greek mythology, as well. Offenbach à ¢â‚¬Ëœs Orpheus in the Underworld is one of the most famous examples. Great writers such as Dante, Shakespeare and Milton make frequent references to Greek mythology, so much so that an understanding of Greek myths is necessary to truly appreciate their works. American writer Nathaniel Hawthorne ‘s Tanglewood Tales is a collection of rewritten Greek myths. Science and Greek Mythology Greek mythology ‘s impact on modern societies can be seen on any clear night. Many constellations are named after characters or monsters from Greek myths, including Cassiopeia, Andromeda, Hercules and Gemini. All of the planets and most of the moons in the solar system are also named after Greek mythological characters, although the planets have been given Roman versions of the Greek names. Even our Earth was named after a Greek myth: Another name for our planet is â€Å"Gaia, † the name of the Greek earth mother. Signs of Greek Mythology in Modern Societies The names of Greek mythology surround us today, sometimes in unusual places. Would Ajax, one of t he great Greek heroes of The Iliad, be happy knowing he ‘s the namesake for a popular cleaning product? Sometimes, references to Greek mythology are appropriate. The Aegis is the shield used by both Zeus and his daughter Athena. Today, the Aegis Group is an insurance company, and the U.S. navy uses Aegis cruisers. In both of these instances, the reference to Greek mythology is clearly valid in that the insurance company and Navy boats provide protection, just as the Greek shield. At other times, the connection between Greek mythology and modern products is more tongue-in-cheek. A popular brand of condoms is named â€Å"Trojan, † slyly alluding to the Trojan horse that allowed the Greeks to safely penetrate Troy ‘s defenses. Despite our sometimes questionable uses of Greek mythology in contemporary culture, its impact on modern societies cannot be understated. References to Greek myths abound. In fact, Greek myths even influence our maps. A collection of maps is an Atlas, named for the titan who held up the earth. And Europe, seat of so many societies influenced by Greek myths, is named for Europa, the maiden carried off by Zeus, who had disguised himself as a bull to trick her.

Northern Renaissance Art

The epoch of Renaissance in general was an age of humanism characterized by a new spirit of freedom, a new sense of the individual, a new realism in visualizing nature and the emergence of the artist as an individual creator. The Renaissance art traditions developed in Italy and then traveled to the north of the Alps and there became known as â€Å"Northern Renaissance†. Though the Northern Renaissance displays some differences from that of the South, it shares with the Italians in the three essential Renaissance qualities, namely, â€Å"a new interest in the world of fact, a new acceptance of that world as having independent value for artistic creation irrespective of any super sensuous presuppositions, and the separation of the several arts†. (Rowley, Sarton, Schevill and Thompson, 111) However, these qualities exhibited themselves in the north and south in quite different appearances because of the fundamental differences between the Gothic and the Classic traditions. Italy's climate, customs, and racial tendencies would never permit to assimilate the Gothic tradition, and the northern countries could never forget it. For example, in northern tradition we cannot find the mathematically exact perspective to reveal the space and volume, as well as the interplay of light and shadow is replaced by the scrupulous work with light and colors. North Renaissance portraits became living entities through the new realism which could render the detailed peculiarities of the individual and courtly approach and this trait derives from Gothic style. For example, Jan van Eyck's realism led to an examination of the details of actuality, so that he painted portraits that are convincing likenesses. To illustrate how the concept of Art Nova was reflected in the works of northern artists it would be appropriate to discuss some of them. In general the realism of the north as Rowley and his colleagues put it â€Å"was more discursive and more minute than that of the south†. (114) Jan van Eyck's painting of Arnolfini and his wife is packed with incidentals, the dog, slippers, pillows, fruit, fly whisk, chandelier, and the mirror which repeats them all again, inscription on the wall of the richly furnished room recording that Jan ‘was here’. The new element of light, which seems diffused through the room, is regarded as illumination for each separate object. Jan van Eyck gives us a realism that is more than real. In Eyck's Virgin and Child with Chancellor Rolin realism showed itself in a microscopic examination of objects. Each hair and each pore of the skin was scrutinized so carefully that the visual unity of the whole was lost in the focus upon small detail. The study of surfaces results in the qualities of things, the masterful use of light and color hues affected by light which makes the work different from Italian Renaissance. The most surprising characteristic of northern realism is the absence of movement. After the dramatic gesticulation of Giotto’s compositions and the Internationalists, the figures of Van Eyck, seem to be absolutely frozen. Perhaps much of the â€Å"sanctified mood† (Rowley, Sarton, Schevill, and Thompson, 116) of Van Eyck's paintings is created by the fact that his people never look at anything, which gives them a curiously removed quality. Another artist of the period, Robert Campin, was one of the earliest and greatest masters of Flemish painting. Characterized by a naturalistic conception of form and representation of the objects of daily life, Campin's work marks the break with the prevailing International Gothic style and prefigures the achievements of Jan van Eyck and the painters of the Northern Renaissance. One of his masterpieces is the Mà ©rode Altarpiece, a triptych of the Annunciation with the donors and St. Joseph on the wings. The Virgin is portrayed in a setting of bourgeois realism in which interior furnishings are rendered with the frank and loving attention to detail traditional to the Art Nova of Flemish art. Campin's passion for the natural and domestic world dominates his picturing of the sacred story. This feature to depict sacred motives within mundane context also testifies to the difference between South and North as regards Renaissance. Campin meticulously depicts even the tiniest trifle in a technique which combines semi-transparent oil overlay on water-based opaque pigments that results in the creation of space. Yet Campin’s work includes several symbolic elements like the brass laver or lily flower, both referring to Mary's purity. The innovations of the Northern Renaissance were apparent not only in painting but also in sculpture art. Thus Claus Sluter was the influential master of early Netherlandish sculpture, established highly individual monumental, naturalistic forms. The grandeur of Sluter's forms can only be paralleled in Flemish painting by the van Eycks and Robert Campin discussed above. The works of Claus Sluter infuse realism with spirituality and monumental grandeur. Sluter was an innovator in art, and thus it would be just to apply the concept of Art Nova to his works too. He moved beyond the prevailing French taste for graceful figures, delicate and elegant movement, and fluid falls of drapery. His sculptures are weighty, massive, dominantly large and balanced forms. The six-sided Well of Moses, presents six life-sized prophets holding books and scrolls. The head and torso fragment of Christ from the Calvary reveal a power and intensity of restrained expression that conveys overwhelming grandeur. Suffering and resignation are mingled, a result of the way the brow is knitted, though the lower part of the face, narrow and exhausted, is calm and without muscular stress. The figures of the composition dominate the architectural framework but also reinforce the feeling of support that the structure provides through their largeness of movement. Sluter's latest preserved work is the tomb of Philip the Bold consisting of forty figures, each about 16 inches high and made up the mourning procession. Sluter conceived of the figures as weepers, of whom no two are alike; some are openly expressing their sorrow, others are containing their grief, but all are robed in heavy wool, draping garments that occasionally veil a bowed head and face to convey a hidden mourning. Sluter epitomized in sculpture the growing awareness of an individualized nature with an enduring grandeur. Reference List: Harbison, Craig. The Mirror of the Artist: Northern Renaissance Art in its Historical Context, New York: Abrams, 1995. Rowley, George et al. The Civilization of the Renaissance. Chicago: The University of Chicago Press, 1929.      

Nicholas Carr vs Steven Pinker Essay

There is no doubt about it that in today’s generation the Internet is one of the best phenomenal creations invented. By simply having a computer, cell phone, tablet, ect, anyone and everyone can access the Internet. But can this powerful yet simple creation have a drastic effect on how the new generation operates today? The entire world is rapidly becoming obsessed; everywhere you look you’re bound to see something related to the Internet. Search engines, texting, twittering, blogging; to name a few. We have all heard of at least one of those internet friendly applications. But can those applications become too friendly to the point where they are a distraction to the young mind? Can those applications hinder how the human brain functions? There are numerous arguments, views and statements regarding such an important question. Two writers that I researched share their opinions and views based off of how the internet has affected others intelligence today. These two writers go by the name of Nicholas Carr and Steven Pinker. Without having any knowledge of what the articles are about one only needs to read there titles to distinguish the differences between the two. Where as Nicholas Carr’s article is titled, â€Å"Does the Internet Make You Dumber? † Steven Pinker’s article is titled, â€Å"Mind over Mass Media†. Both writers have completely different types of titles but one can assume that they are responding to the same subject. After thoroughly reading both articles, Nicholas Carr and Steven Pinker have completely different views when it comes down to how the internet influences others. Firstly, Nicholas Carr addresses heavily how in fact the internet does make you dumber. All throughout the article he gives examples of studies aimed at showing how the internet doesn’t positively contribute to the brain at all. As stated from the article Nicholas Carr explains how â€Å"People who read text studded with links, comprehend less than those who read traditional linear text. How, people who watch busy multimedia presentation remember less than those who take in information in a more sedate and focused manner†. All of which are pretty apparent that the effect that the internet has on the mind is quite drastic. On the other hand, Steven Pinker’s article strongly disagrees at the fact that the internet affects the human brain. His defensive points primarily explain how without the internet a lot of today discoveries and new inventions wouldn’t be possible. Also he defends the fact that distraction or addiction is not a new phenomenon. Regardless of whether the internet is a popular utility or not, distraction would still be an occurring issue. It is quoted: â€Å"If electronic media were hazardous to intelligence, the quality of science would be plummeting. † Also, â€Å"Yes the constant arrival of information packets can be distracting or addictive, especially to people with attention deficit disorder. But distraction is not a new phenomenon. The solution is not to bemoan technology but to develop strategies of self-control as we do with every other temptation in life. † Steven Pinker is trying to get the reader to understand that the internet doesn’t essentially make you dumber but it does hinge at one’s attention span. Outside of the internet distractions are common everywhere. One can become distracted by their job, parents, work, internet, ect. Because of these interruptions Steven Pinker’s makes it known that all distractions require self-control. If one doesn’t have self control over an issue they will become addicted. Lastly my research wasn’t over. It wouldn’t be right if I didn’t get a third opinion to help provide some extra study. A third writer that I came across was a woman named Sherry Turkle. Sherry Turkle has written a popular novel titled â€Å"Alone Together†. In the novel Alone Together author Sherry Turkle explains a third completely different concern on how technology affects the average American. This concern is in regards to how individuals will end up alone together because technology has distanced face to face relationships. That society expects more from technology and less from each other. Over the years Sherry Turkle has examined how technology has jeopardized the true meaning of hands on communication. Although she does not mention how the internet may interfere with learning or brain capabilities she does still presents other exceptionally important factors. In conclusion, in comparison of the two primary articles that I researched I would ultimately have to agree with the Nicholas Carr piece. I feel as if the Nicholas Carr piece will convince more people. His article compared to Steven Pinker’s has a lot of legitimate studies and facts. His studies included one conducted at Cornell University, where they conducted the laptop experience, which compared the effect of students who studied utilizing the traditional method of the library and those who studied using the laptop for research, with the conclusion that those who studied using the library grades were higher; studies from Stanford where they conducted a multi-tasking trial, also, studies from the University of California in San Francisco where they conducted a brain experiment. Where, Steven Pinker’s article comes off as an opinion piece with little to no background information or supporting references. I would want to believe that the mind is in fact over mass media but Steven Pinker’s article doesn’t defend his title strongly at all. Thus, leaving me with the conclusion that the internet is a major distraction, can hinder how I use my brain properly, and can jeopardize my in person communication skills that I have available.